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Volume 4, No. 1American Studies as Vulnerability Studies

Published December 30, 2022

Issue description

This special issue explores the ambivalent nature of vulnerability as a "politically produced" condition of suffering which contains the potential for resistance and consequential social change for minoritized individuals and communities. Judith Butler's now-classic rendering of vulnerability as "unequally distributed through and by a differential operation of power" helps us better grasp interrelated forms of oppression, yet we argue that narratives of vulnerability also foreground the relational and interconnected conditions of vulnerable lives, while at the same time engendering worldmaking projects centered around agency and resistance.

Full Issue

Special Issue Introduction

  1. American Studies as Vulnerability Studies: Introduction

    This special issue explores the ambivalent nature of vulnerability as a "politically produced" condition of suffering which contains the potential for resistance and consequential social change for minoritized individuals and communities. Judith Butler's now-classic rendering of vulnerability as "unequally distributed through and by a differential operation of power" helps us better grasp interrelated forms of oppression, yet we argue that narratives of vulnerability also foreground the relational and interconnected conditions of vulnerable lives, while at the same time engendering worldmaking projects centered around agency and resistance.

Special Issue Articles

  1. 'Vulnerable as a small pink mouse': Vulnerability, Affect, and Trauma in Hanya Yanagihara's A Little Life

    This essay focuses on the productive interactions between vulnerability and trauma theory. Vulnerability indexes trauma's infinitude and recursion as something constantly generative of new emotional, social, and legal injuries. In the novel A Little Life (2015), Hanya Yanagihara employs narrative fragmentation, multi-perspectivity, and temporal disarray to evoke trauma's patterns of injury and abjection. Vulnerability's double valence creates affective intensities for readers and establishes a sense of intimacy with the protagonist as he is traumatized. Vulnerability in the novel is linked to closeness, thus, in a dual sense. On the one hand, the protagonist closes off from the world. On the other hand, he persists impossibly in fostering intimate relationships. In A Little Life, it is this precarious closeness precisely through which vulnerability becomes a form of resistance that foregrounds agency.

  2. On Being Topped: Vulnerability and Pleasure in Ocean Vuong's On Earth We're Briefly Gorgeous

    This article explores the sexual and racial politics of anal vulnerability in Ocean Vuong's 2019 novel On Earth We're Briefly Gorgeous. The article shows how the book negotiates the relationship between vulnerability as an embodied relation—configured as forms of bodily receptiveness, permeability, and dependency that necessarily constitute the formal basis of any intersubjective encounter—and vulnerability as a social relation, configured as frameworks of legitimation that differentiate populations in terms of how they encounter, and are affected by, risk, attachment, desire, violence, and physical and mental health. By reading a series of teenage sexual encounters between the Asian American narrator-protagonist Little Dog and Trevor, his white first lover, the article shows that the novel uses anal sensation and metaphoricity to negotiate the vulnerabilities that come with sexual shame and stigma, racial trauma, internalized homophobia, as well as with racialized sexual stereotypes, all the while suggesting ways in which these vulnerabilities may be turned into sources of pleasure, care, reparation, and healing.

  3. Suffragists and Russian Suffering : Vulnerability in Early Progressive US Movements

    This article analyzes American pro-Russian revolutionary newspaper and magazine articles, biographies, political speeches, poems, etc. between roughly 1880 and 1917. It asks what strategies American social progressives, including suffragists and feminists, developed to create empathy for the Russian revolutionaries, and the Russian people more generally, at a time when the American authorities, as well as the public, was rather anxious about foreign and domestic radicalism. The article identifies suffering Russian women at the center of narratives that intended to create sympathy for the Russian Revolution. Particularly vulnerable female bodies were used as veneers to draw the American audience and the world into supporting the revolution. The article approaches the topic of vulnerability through the work of literary scholar Thomas Laqueur, and specifically his analyses of suffering as a literary trope, to explore the narratives' particular structures and the kinds of Russian vulnerabilities that the writers presented. It analyzes the affective attachments to the bodies at the center of these narratives, and the subsequent imaginaries they inspire, thereby crucially influencing American cultural and political imaginaries as such through the application of Laqueur's ideas. Additionally, the analysis will focus on the question why suffragists and feminists were so particularly invested in the creation and dissemination of these humanitarian narratives, suggesting that the support of Russian revolutionary women was as much in solidarity with the Russians as it was a means to further their own causes and ideas, including women's emancipation.

  4. 'It sounds like erasure': Mobility, Vulnerability, and Queer Coolitude Poetics in Rajiv Mohabir's The Taxidermist's Cut

    Various im/mobilities linked to colonialism have shaped the Caribbean, fundamentally structuring the unevenness of vulnerability. This paper reads vulnerabilities as relationally produced through the entanglement of human and more-than-human im/mobilities. Rajiv Mohabir's poetry collection The Taxidermist's Cut (2016) addresses the vulnerability of the Indo-Caribbean diaspora and extends it to a shared more-than-human vulnerability. This is done by employing the practice of taxidermy as a figurative device to expose violences and vulnerabilities of oppressive and colonial regimes and its legacies today. These multiple vulnerabilities are related to both imperial im/mobilizations of peoples during the period of indentureship, as well as of animals, on which taxidermy is performed, immobilizing their desired shape for eternity. The book then queers understandings of singular national affiliation and binary classifications that serve to immobilize humans and non-humans alike, and instead moves out of these fixation by opening up the vulnerabilities of the self to other possibilities. 

  5. 'Brown Babies' in Post-WWII Denmark: A Case Study of the Vulnerabilities of Adopted Children Born of War

    Children born to occupying soldiers and members of a local population during or after conflicts are in many ways an extraordinarily vulnerable population. These so-called children born of war (CBOW) commonly inherit the stigma of transgression and foreignness from their respective parents and face discrimination in post-conflict societies. Their specific vulnerabilities, though, emerge from multiple overlapping factors: the needs and social status of their family members, their relation to the trans/national communities of their parents as well as to ethno-national norms of belonging. This paper theorizes the multiple factors that shaped the vulnerabilities of biracial adoptees in post-WWII Denmark as Black and German children of fraternizing mothers. I look at a case from the Danish "child import," the illegal adoptions of children born to African American soldiers and German women in late 1950s Denmark, in relation to the testimony of an adopted child born to a German soldier in Denmark during WWII. The similarities and differences between the two testimonies show that the "imported" biracial children did not just face specific racial vulnerabilities at this intersection between US American and Danish adoption histories but also a relational vulnerability tied to their CBOW status, which manifested through the slow violence of family secrecy practices.

  6. African American Literature, Racial Vulnerability, and the Anthropocene: Reading W .E. B. Du Bois's The Quest of the Silver Fleece in the Twenty-First Century

    This article discusses W. E. B. Du Bois's first novel, The Quest of the Silver Fleece (1911), in the context of the broader debate on the role of race in the Anthropocene and in relation to Judith Butler's theory on corporeal vulnerability. Specifically, this article spotlights three particular ways in which rereading African American literature may enhance a more race-conscious Anthropocene discourse. Initially, this article demonstrates how Du Bois's text gives opportunity to trace African American vulnerabilities through various scales from the local to the planetary. A genealogy of African American racial vulnerability, I argue, can be vital for better understanding and acting against continuing forms of racism in the Anthropocene. This article continues by turning to Du Bois's representation of vulnerabilities as part of power relations, showing how African American epistemologies of resistance negotiate racial vulnerability. Lastly, this article examines how the novel plays with generic conventions to engage racial vulnerabilities, evincing an African American aesthetics of resistance and suggesting alternative forms of storytelling.

  7. From Crisis to Cata/Strophe: Prepositional Poetics as Decolonizing Praxis

    This article shows how Aracelis Girmay's The Black Maria (2016) and Raquel Salas Rivera's while they sleep (under the bed is another country) (2019) turn the ongoing catastrophe of coloniality into a visual grammar of/for loss. Aracelis Girmay's The Black Maria offers a prepositional poetics to visualize the catastrophe of Mediterranean migrant crossings within the spacetime of an oceanic coloniality that joins Mediterranean to Atlantic and Caribbean. Raquel Salas Rivera's poetic response to Hurricane María invokes prepositional relationships to reveal and contest the United States' existing hierarchies of colonial-imperial power. Through form, their poetry visualizes how witness, survival, and mourning become decolonizing tactics of resistance. In the two texts, I identify a prepositional poetics that, by signaling movements through space and time, locates the specific catastrophes of displacement and climate change disaster in the Caribbean and the Mediterranean as part of a continuum of coloniality that stretches from the sixteenth century to the present.

Ongoing Research in Austrian American Studies

  1. One Nation Under Many Cowboy Hats: Western Hats and American Studies—A Cultural-Historical Conspectus

    Commencing with the polemic that "everybody has always worn cowboy hats," this article (re)conceptualizes western hats as significant, signifying, wearable, and thus nomadic manifestations of Americanness. Their material complexity lends itself to thinking through the cultural fabric of Americanness, which, depending on the vantage point, oscillates between dominant and arguably homogeneous permutations of predominately white Americanness, and the checkered, multicultural "felt" that is the American experience at large, and that of the American West in particular.

Invited Articles

  1. Performing Vulnerability and Resistance in Spoken Word Poetry

    This article explores the duality of Kosal Khiev's poetry performances as performing vulnerability and resistance within global cultural contexts. While his live performances vocalize several forms of systemic racism that he experienced as a refugee, in the US foster care system and with the US prison-industrial complex, his live-streamed performances reach beyond national borders that have jeopardized his very existence. Over the past few years, his livestreams and social media posts have most succinctly served as creative channels through which Kosal Khiev addresses his vulnerability. His poetry included in this article not only acknowledges and comments on his vulnerability as interconnected with US politics but also writes himself back into the national discourse from the perspective of an exiled poet.